Miscellany

On the Importance of Being Vulnerable

87º feels like 96º ~ removed from the excessive heat advisory b/c index won’t go over 100º, perhaps I’ll need my sweater

I’m thinking today about vulnerability and how I’ve been conditioned not to show it. When confronted with a problem, or a task at work, I’ve always put my shoulder to the boulder and persevered without question, without too much complaint, and definitely without asking for help. This behavior has been reinforced because I’m often praised for my results, which are largely based on sweat, stress, and unwavering persistence. I’ve been heard to say, “Failure is not an option,” a commonly heralded, proto-American trait. And, yes, it is good to succeed, but over and over, I’m learning that I need not bear all the weight in completing every project for work or home.

In fact, in my attempt to appear “practically perfect in every way,” à la Mary Poppins, I’m actually failing myself. Because I have feared being seen as weak and vulnerable, when a project has stymied me or has required more time than I actually have, I have refused to ask for help. I have, instead, sweated it out and found a way to solve the problem at hand, often doing work that would more easily be done by others. For example, I have been known to try to learn a whole new design program overnight rather than admit my flyer-making skills are, well, fledgling at best. Dare I claim that my gender contributes to this fear? I dare. Coming of age in the 80s, I was acutely aware that women who wanted to have it all must never admit vulnerability. (And who would not want to have it all?) I understood early that my job was to prove I could do everything a man could do, but, à la Ginger Rogers, “backwards and in high heels.”

What does this have to do with poetry? Time. Energy. A quiet mind. Writing takes all three; attempting to conquer every other task set before me by my job and my household consumes all three. Because I was determined to be seen as a success at work, this past academic year I gave nearly all of my being to completing work goals. I wrote only a few new drafts, sent out very few poems, and read very little poetry outside of course texts. By May, I knew this behavior was unsustainable, and I’ve spent much of the summer working on positive steps forward.

Recently, I woke up to the fact that I don’t have to do it all alone. I began asking for help. I began exposing what I saw as my own vulnerabilities, and no one blinked an eye. Instead, they answered, and they helped. I recovered some time, some energy, and glimpses of a quieter mind.

I learn, but slowly, that I will always be a student, even as I stand in the classroom as the professor. In the classroom, I ask my students to be vulnerable over and over; I remind them that there are no silly questions, that all rough drafts are messy, that I am there to help. I offer them handouts on campus resources for the problems they experience beyond creative writing. I encourage them to form support networks among themselves. I ask them to fail on the page over and over. Yet, I have refused to admit my own vulnerability so often in all the realms outside of my writing practice (there, I fail spectacularly and accept it). Let’s face it, I have been scared of being exposed as a fraud because the models of success held up by our society rarely admit to their own vulnerabilities.

All of this is to say that I feel a bit of a breakthrough, and I hope to continue to practice asking for help, to continue sharing the workload when appropriate, and to continue experiencing these benefits.

 

Posted by Sandy Longhorn

Miscellany: What Speed Rejection, Grit, Reading Beloit Poetry Journal

83º ~ feels like 87º ~ all bright sun, calm winds, birdsong, freshmown grass, a full moon waiting

One of my goals for the summer is to submit work for publication to literary journals. Publishing poems is one of the criteria on which I’m judged as I make my way toward tenure, but the weight of prepping courses new to me, building a national conference from the floor up, doing my other service work (committees, volunteering for campus activities, etc.), and keeping up on professional development activities prevented me from sending much out this past academic year.

As with reading and writing, I’ve re-engaged with the “po-biz” side of things. As I explained in my recent post about how the poem “A Coward for a Daughter” came to be published, the usual route is to submit work and then not hear anything for months. On the other hand, there are some well-established journals that have perfected the quick turnaround. This week, I submitted poems to The Threepenny Review on Wednesday. By Friday afternoon, I’d received the rejection, which yes, always stings. As Threepenny does not take simultaneous submissions, I appreciate the quick response, but, yikes!, I hadn’t even had time to “forget” about the submission (forgetting sometimes blunts the sting of a rejection just a tad).

I’ve been thinking about grit (regarding the stick-to-itiveness it takes to be a writer) as I’ve been drafting more poems lately. In working on my last poem, I noticed, again, that there came a point when I felt the urge to just stop and drop it. Here is the moment of either persistence or giving up, a moment when one’s grit is called into question.

In general, I get this feeling at one of two points. The first opportunity happens when I’m scribbling longhand in my journal. I might get three or four lines to come together and then nothing. When this happens, I tend to let it go. However, the more crucial turning point is when I’ve gone from journal to computer, and the “meat” of the poem is beginning to appear, word by word, line by line. Even with the energy behind that movement, there is usually a point where I’m confident in the opening salvo of the poem, but then become uncertain of where its going. In this uncertainty is the opportunity for me to waver and lose my grit. In that last poem, I remember sighing; I remember thinking I should just quit. But, then, I had to think about hitting “save.” Seeing that the poem had not reached a critical mass, I knew from experience that hitting “save” was the same as never finishing the poem for me. I had to take control of that little voice inside my head and tell myself, “try again, figure it out, keep your butt in the chair, tell the truth, write it.” Thankfully, I listened to myself and stuck with it to a finished draft.

(Working in forms makes this extra important, as I can save a free verse draft knowing that it is nearly “there,” but not quite. In a formal poem, I’m not sure I could come back and complete an impartial draft.)

This morning, I grabbed the lit mag waiting on top of my to-read pile: Beloit Poetry Journal (67.3) Spring 2017. I confess that the number of books that I own but haven’t read yet is overwhelming, and having the lit mags arriving on the regular simply adds to the overwhelming. However, as soon as I open a cover and begin to read, all the other books drop away.

BPJ is one of the most well-established, long-running, consistently-stellar poetry journals out there, and this issue lives up to that reputation. It was an extra delight to find that friend and fellow Little Rock poet Seth Pennington designed the cover.

I believe in Daniel Pennac’s Reader’s Bill of Rights, which stipulates that it is okay to skip and/or not to finish. When I read journals, I give each piece my full attention at the opening. If the writer can’t hold me, I’m gone. In the case of BPJ, I read all but three of the poems completely, and in about 50% of the cases, I read the poems a second time (they tend to be shorter than longer in this journal). Some of the poems that stood out to me were:

Doug Ramspeck’s “Winter Trance”
Martha Silano’s “I have to deepen my know
Denise Bergman’s “he opened the window’s slit and climbed in
Xandria Phillips’ four poems from Black Eyewitness Directory
David Salner’s “A Shift of Sand and Steel”
Lauren Camp’s “Father to Narrow then Stranger”
Michael Brown, Jr.’s “Freedom”

The whole issue is worth your time and attention.

Posted by Sandy Longhorn